Morning Book Break Discussion on The Marriage of Opposites by Alice Hoffman
Rating: The Marriage of Opposites received ratings between 4.0 and 5.0, with an overall average rating of 4.56.
Review: The Marriage of Opposites received high marks from all book club members. Members enjoy generational historical fiction with strong women characters and this novel delivered in these aspects. We enjoyed a fascinating discussion about the life and times of the father of Impressionism, Camille Pissarro.
- Several members appreciated the structure of the novel including the way the chapters were entitled. This was useful in tracking both the timeline and the vast amount of characters.
- (Spoiler alert!) Several members were haunted by Lydia’s abduction. Members were horrified to learn it would be twenty years before she saw her mother again.
- All members were transfixed by Alice Hoffman’s descriptive language which transported them to the sights, smells, and sounds of St. Thomas and Paris circa the 1800’s. Members loved the vibrant, accurate descriptions of St. Thomas and Paris. Members who have traveled to these locations felt the author captured them exquisitely. One member said she literally could feel the humidity of the island. Members thought the writing in The Marriage of Opposites was the work of a gifted, talent artist—one who could write skillfully about another artist. Hoffman definitely understands the emotions conveyed on a canvas.
- Several members stated that the novel was a quick read and they were unable to put it down. Many chores and necessary tasks at home were left undone!
- Members enjoyed the compelling characters with such interesting lives.
- Sadly, members wished we had more time to discuss some of the motifs and magical realism presented in the novel, especially the turtle-girl/woman.
The members viewed several of Pissarro’s paintings and then they were asked the following question:
Did any of Pissarro’s paintings that remind you of scenes in the novel?
How does The Marriage of Opposites convey Pissarro’s style?